how to draw the number 9 in 3d
In the previous parts of the series we learned how to tame the pencil and mastered hand-eye coordination. I hope I gave you lot enough time to do these lessons! Today I'll present you with a series of exercises that are a continuation of the topic, and for some of y'all it may just exist the commencement of "true drawing"—creating things instead of redrawing them.
I've explained the philosophy and mechanism of drawing from imagination in this commodity, then hither we'll go straight to the meat. Before starting the lesson, make sure y'all accept read the article and practiced the previous exercises long plenty!
What There Is to Acquire
Allow's define our goal before starting the exercises. Delight read the comment I got under the Stage 2 tutorial:
I cannot depict , I really can't but this exercises are easy for me. I can depict 10 lines of same length and some dots in equal distance and can't imagine someone who may notice them difficult.
This is very interesting, isn't it? He can't draw, only actually he can. The problem here is well-nigh definition. We've already divided the skill of cartoon into iv stages, hither presented in a simplified fashion:
- Drawing—making marks
- Drawing—controlling the marks
- Drawing—creating marks resembling real things
- Cartoon—creating marks resembling existent things in an unreal way
They're all virtually existence able to draw, just each of them is based on a completely different set of skills. Two people saying "I can't depict" may have two different things in mind, and they also may need dissimilar exercises to overcome their problems.
The commencement two stages are technical ones. They're not about imagination or inventiveness, but near the activity of drawing. The other ii stages include the artistic element—you use the technical skill of drawing to present the visions you lot take in listen. People utilize various media for it, similar music or poetry, just if your ideas have a visual form, drawing seems to exist the most proper manner.
However, fifty-fifty mastering the technical skills doesn't guarantee you'll be able to draw what yous want. Here'southward where the technical part of the skill really ends, because cartoon from imagination isn't about beingness able to do something, but rather most understanding what you should practise.
If you can describe anything from a reference perfectly and accurately, only you lot can't describe from imagination, it doesn't hateful you can't describe—you lot're actually very good at cartoon! The problem is in what yous're trying to draw. In case of a reference, yous know exactly what it is, with every unmarried line right earlier your eyes. But imagination doesn't work this style! You tin "see" the face of your friend very clearly in your mind, but if I inquire you what the colour of their optics is, yous'll be lost.
Learning to describe from imagination is therefore not and so much almost drawing, but rather about getting to know the things you want to describe. You know how to melt, just you lot need recipes to cook anything. With time you'll be able to create your own recipes, only showtime you need to learn what they look like!
Ane last alert: in these exercises it'due south assumed in accelerate that you don't have any problems with copying references accurately. If that's not true, go dorsum to the previous function, or, if it's as well boring, practice copying references until information technology's piece of cake. Otherwise it volition be very disruptive to you lot, trying to use the recipes without knowing how to turn on the oven!
How to Acquire
This lesson will exist unlike from the previous ones. Y'all are non a strict beginner any more, and so you should exist able to work more independently. These exercises also have a unlike construction than "do it until it's dull". Hither's how long you should do the exercises:
- 1: Until you sympathise the concept
- 2, 3, 4: Until you're able to draw the forms without bigger effort and obvious mistakes (obvious mistakes are the ones you encounter right after making them)
- 5: Until yous work out a ready of lines you tin can replicate in a fast and effortless style
- 6: Until y'all are able to brand it accurately on time
- seven: Until you lot find a fix of forms you tin replicate in a fast and effortless style
- 8: Until there'south nothing surprising to you in the topic (long-term exercise)
- 9: Until information technology'southward automated for you (long-term do)
- 10: Until you tin draw the topic accurately without seeing whatever reference for a long time (long-term exercise)
Ofttimes you'll see me asking you lot to become back to a previous exercise if something doesn't piece of work as information technology should. Don't feel bad about this. Sure, information technology would be great if it went smoothly, just it's meliorate to see the mistakes and go to gear up them than not to know why information technology looks bad and to pretend it doesn't. The structure of this lesson is hierarchical, which means that an uncorrected mistake from i practise will haunt y'all in some other. Don't let it!
1. Understand the Concept of Depth
Fifty-fifty the word itself, "perspective", brings chills. Architecture and a thicket of advisedly measured lines comes to mind immediately. However, that's not what perspective is about. Perspective lets us imagine what an object we observe in 1 position will expect like when rotated or moved. Therefore, information technology can't be avoided if yous want to draw from imagination!
When drawing from a reference, yous don't need to care well-nigh perspective. All yous want is already there. Simply if y'all try to depict from imagination, it's usually unbelievably hard to get any position right except that "default", side-view one. Talented people often stop hither and master drawing this 1 default position, because information technology's the only one that they can describe. And they accept no idea that what they can't describe, they can larn!
Drawing only 1 position is like adding the same seasoning to every dish. No affair how universal and tasty it is, with fourth dimension it'll become dull, and even the most interesting ingredients won't make your cooking more exciting. Also, in that location's a difference between calculation the seasoning because it fits there, and adding it everywhere because you don't know how to use whatever others.
There are 2 ways y'all can go now. I've written two articles about perspective: a theoretical one and a applied ane. You should read at least the kickoff one, merely if it's likewise confusing, you can try another way. Brand your own analysis—get a small-scale box and move information technology earlier your eyes. Run into what happens when yous move it upwards, downwardly, to the sides, to the front and back, and when you lot rotate information technology. Try to find the rules in it, and make notes for later.
2. Get to Know the Ingredients
In the previous parts you've been practicing lines, but the problem with lines is that they're very simple to apply, and very hard to remember. It makes them useless when it comes to drawing from imagination—they have too many forms.
To make it easier to remember, we demand to split up all these forms into a few simpler blocks. It'due south just like writing: an illiterate person could copy all the lines, along with the style of the letters, while a literate person volition copy the letters—not the lines, but rather the idea of them.
In this exercise you lot'll learn the letters of cartoon. It's extremely of import to empathise it. There'south fifty-fifty a take a chance that if yous do, the other exercises will exist almost obvious to you. Pay all your attention to it, and call up: if you spot lack of control at whatever bespeak (e.g. an oval doesn't expect like yous wanted), take a break from this exercise and practise precision for a while.
Using the rules of creating depth, practice drawing the forms. They don't need to exist 100% authentic in terms of perspective—all you need are well-defined sides. You should be able to tell where the forepart, dorsum, acme, bottom, and both sides are, which of them are visible, and which are blocked from the view.
You don't need to exist overly careful most the shape, only brand sure you can keep the lines as clean as possible without an eraser. Overusing lines indicates lack of confidence, and perhaps also skill. If you run across you're overlapping the lines too much, go back to previous exercises.
Footstep 1: Ellipsoid
This course is similar to a sphere, but instead of having a circumvolve in a cross-section, information technology has an ellipse. It works great as a base for a trunk of live creatures.
Pace two: Cylinder
A cylinder is like a 3D class of a line—a line with book added. It's perfect for constructing limbs.
Pace three: Box
Though boxes don't seem too organic, they find their place in some parts in the trunk, for example in creature hips.
3. Modify the Letters
It would be nice if all we needed were those three messages to build everything, correct? Bad news—information technology's not enough; good news—all the other "messages" we need tin exist created on the base of operations of these 3.
In this exercise, let yourself have some fun with these bones messages. Imagine them as material forms, and practice something to them. Squeeze, stretch, bend... The point is to understand the perspective of them, no matter what you do. Once again, if it'due south too hard, go back to practicing perspective. Don't scold yourself, be patient—there's no hurry!
4. Draw Simple Structures From Imagination
Fourth dimension to draw something from imagination! No, not dragons, not withal. Run across if you tin can imagine a uncomplicated structure congenital of all these forms you've practiced before. And so draw information technology, just not only once. Rotate information technology in your mind and draw it again. Make sure you are able to go along it consistent, that there's non much luck to this. You don't want to base your skill on luck!
5. Find the Rhythm of the Object
We're going to be more than specific from now on. Cull the topic you lot're interested in. Remember: y'all can't learn how to draw, let's say, animals from a unmarried exercise. An eagle is non any more similar to a scorpion than to a chair—the name "animal" the eagle and the scorpion share doesn't brand them the same thing. Some groups of animals are, indeed, similar, but information technology may exist deceptive. Lions and wolves are similar, but if they could be fatigued the same way, they wouldn't exist different animals!
And then, be specific. If y'all want to draw animals, you tin can pick a lion. It's anatomy is well-understood, there are a lot of photos of them on the Cyberspace, and they besides share a lot of features with most of the animals you may want to draw, similar wolves or even horses. And if you want to draw dragons, they're still a expert choice, as long as you imagine your dragons beingness more similar to dinosaurs than to lizards.
Step 1
Gather a set of references with different poses of your chosen animal. In the case of lions it's improve to choose females or young/neutered males, since the mane often covers important anatomical details.
My favorite way of getting a whole set of references in an instant is using Google Images. To become accurate results, endeavour to be specific in your query: "lioness walking/running/hunting/playful" is improve than just "lioness". For a alarm: stay alarm, Google isn't e'er correct about what has been labeled as "lion".
Pace 2
Look at all the references and try to notice the common rhythm in them. These are all very different poses, in various perspectives, but there's something they all share. Detect these elements and sketch them using as few lines equally possible. These lines should be like shooting fish in a barrel to lead—no details, no fixing. You should exist able to draw them fast, at to the lowest degree later on yous work them out. Proceed the calibration small-scale—this way it'll be easier to keep the proportions right.
If y'all discover it too hard, it may be helpful to accept a look at the skeleton of the animal and to try to run across it in the live body. Remember: your sketches don't need to look similar mine. They should exist the upshot of your analysis and understanding—copying me will merely make it harder for you in the time to come.
6. Practise the Rhythm
Step ane
Time to test your "rhythm lines". They should be easy to describe, and they should build a whole silhouette in a very economical style. In order to check whether they practice, utilize this online slide-show maker. Use the aforementioned query equally previously, adjust the advanced options if necessary (if you don't want surprises, meliorate select Strict SafeSearch), and when the slide-show starts to run, bank check "very dull".
You lot can also apply whatever gallery on deviantArt for this purpose, if you adopt a specific pick of pictures.
Step 2
Ready, ready, go! Depict the rhythm lines of the slide you are presented with as fast as possible. Don't worry if you tin can't catch up at the starting time; your goal hither is to suit the rhythm lines you've worked out to the speed. Simplify them on the wing and treat information technology as a challenge, not a competition.
However, if you experience you are actually unable to do it, slow downwardly. Pause the movie, describe it as fast as you tin can, then switch to the next one manually. Describe a few of them this way, then try to proceed with the timer. If in that location's nonetheless non enough fourth dimension for you, become back to the previous practise—maybe there's some other rhythm you'll like better?
Feel free to skip the inaccurate slides, and if some picture grabs your attention (if information technology's an interesting pose), y'all can besides pause the presentation to work longer on information technology. Don't overuse this function, though!
Step 3
When you lot finally grasp it, and you lot can sketch every picture in seconds, you tin can turn to drawing from imagination. It's best to do this practice correct after the former—your mitt and mind are warmed up and focused on the topic.
Depict a few of the poses from memory, and a few imagined ones. Don't restrict yourself to simple ones; go crazy! Is it easy for yous? Nifty! You can keep. If not, go back to Step 1. This time y'all can choose some other query; east.thou. if you used "lioness running", at present utilise "lioness sitting". The more than various poses yous draw, the harder they'll go imprinted in your mind.
7. Find the Recipe
In one case you tin sketch every pose from imagination in seconds, make clean without an eraser, yous're ready to construct the recipe for the body.
Step one
Once more, search for references for your topic, only this fourth dimension be more than selective. Selection only few of them, but each presenting the pose in the way that others can't. Try to detect one for a clear side, i for forepart view, and optionally, for the dorsum and top of the body.
Step 2
Print the references with a lower opacity. You can modify them in Photoshop or any other graphic software, or make the impress more faded with your printer's options. Feel gratis to use black and white print.
Step 3
Look at all the references, and compare them to a diagram of a lion's muscles. Imagine the trunk blimp with simple forms we accept been practicing before. How could you lot build something resembling the trunk out of the smallest number possible?
Use your pencil or a ball-pen to draw the forms directly on the references. Brand them consistent on all the pictures—these are 3D forms and they should follow the perspective of the poses. Brand information technology equally accurate every bit possible without using too many forms.
If your sketches get messy, print the fix of references over again. Have your time, because this is a very important footstep!
Hint: if you happen to take a decently realistic figurine of the animal, incorporate it in your analysis. In that location's nothing meliorate than a 3D model when it comes to agreement the class of something!
Step 4
Go back to your sketches from exercise 6. Employ your "body schemes" every bit a reference, and put the 3D forms on the "skeletons". When doing this, don't be afraid to simplify and modify the structure. Your scheme should allow you to chop-chop build the impression of a realistic animal without leaving much to the imagination, but as well without redundant details.
Step 5
Again, use a slide-testify of your choice and start sketching, this fourth dimension using both the rhythm and the trunk. At this indicate it should exist easy for you! If information technology's not, brand sure that the bodies you're drawing take all the necessary lines, just not a line more. Wait for shortcuts; see which lines can be connected into one and which yous tin can skip.
8. Add the Spices
This exercise is the slowest one, without a articulate stop point. Your goal here is to perform a thorough analysis of the details. Sketch the eyes, olfactory organ, ears, whiskers, mouth, teeth; clarify the folds of fur, parts of basic visible under the peel, the management of hairs on the whole body. Use good quality references for it, and never stop with i.
Details take their own drawing shortcuts, besides, just this time you demand to be more careful in creating them. Any mistake in the proportions will be clearly visible, so sometimes information technology's ameliorate to go out the sketch unfinished than to decorate it with misunderstood details.
9. Practice, Practice, Practise!
After all these exercises become predictable and boring, you lot can start the exercise that'south supposed to banner this knowledge in your mind for longer. At this point it should be easy to practice—if it'south non, well, y'all know the drill.
Turn on expert music, or an audio-book, or whatever you like to listen to when doing something mindless. Use a huge set of references and sketch them all, i by one, quickly and effectively. Your job for the day is done once yous realize you're thinking about something else and you're sketching automatically—that the sketches showtime to turn out without any conscious try from your side.
10. Test the Imprinting
The problem with memory is that information that's not used chop-chop gets discarded. Information technology's quite common to be able to draw miracles later ane mean solar day of training, and return to the level of a preschooler a few days after.
To make sure the information stays there, you lot need to convince your mind that yous need it. And to exercise this you just need to use this information regularly. Every human activity of conscious recalling works like a refresher of the information. It'southward as if in that location'south a path between your memory and your consciousness, and the more you walk information technology, the better it's fit for walking. But end using it for a while, and the path will disappear under the grass and weeds.
These exercises are purely about drawing from imagination. If yous've been practicing lions, draw them now without any reference. Use all the poses you lot can think of: hunting, jumping, sneaking, lying with its paws upwardly... Make sure you're non guessing—that you lot're taking all the data needed correct from your memory. The oftener y'all do this, the more accessible this data will be in the hereafter.
And if you realize that y'all must guess something, because you forgot it or never learned information technology at all, feel costless to use a reference to learn this. It'south not cheating—learning is a constant procedure, and being able to draw a lion from imagination doesn't mean you'll never find any of the poses problematic. With time, though, at that place will be fewer and fewer of these, if you really focus on the topic.
What Now?
Often I run into people lament they can't draw from imagination. I'm certain that after doing all these time-consuming exercises you empathize the absurdity hidden in these words. Drawing from imagination isn't an ability that you accept or not. It's a skill, and it's a multi-dimensional 1. You may be able to draw lions from imagination, and wolves may still be a mystery to you.
You need to decide what you want to be able to draw from imagination. Each topic volition consume a lot of your fourth dimension and energy, and everything you learn will also require regular practice from y'all to continue information technology in practiced shape, then choose wisely. You don't demand to learn information technology all!
I take one more than task for you. Whenever y'all hear someone saying, "I tin can't draw from imagination—I know what a king of beasts looks similar, but when I try to draw it, it looks like a mess," explain to them why that is. Knowing what a dish tastes similar doesn't mean you tin cook information technology without a recipe! If they really want to acquire, show them the way. Together nosotros tin can root this dangerous myth out!
Source: https://design.tutsplus.com/tutorials/how-to-learn-to-draw-stage-three-visual-database--cms-24325
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